The Pre-Raphaelite Brotherhood (Cv/Visual Arts Research Book 149)

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Helen's Passages, St. Constable, who is just lately dead, tried to paint landscape green, but he only proved his wrong-headedness; in fact, he had no eye for colour. It had yet to be absorbed in a larger reformation, and to act thereby even more potently than if it had remained the specific crusade of a clique or faction. Distracted as Rossetti was throughout his life by the very richness and fertility of his own genius, torn ever between divided aims and conflicting purposes, the more mutually obstructive because of the restless and hyper-sensitive nature which was the field and victim of their strife, the difficulty of concentrating that genius upon the highest aim and purpose within its proper sphere was never more stubborn than at this period. Ruskin followed this book with a second volume, developing his ideas about symbolism in art. But whether that vital change of spirit which found its fullest expression in the Pre-Raphaelite movement would have produced anything like its present results independently of Rossetti, is a question still entangled in that injudicial partisanship of opinion from which no contemporary 4 judgment can quite shake itself free.

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Elizabeth Siddal Pre-Raphaelite Artist & Model - Millais' Ophelia 1852 - Dante Gabriel Rossetti

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I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the university at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep. My name is Kvothe. You may have heard of me. His pictures are wonders in colour and truth; in fine, admirable for all they intend, but I like yours better for my own use, although there are qualities in Millais which never have been attained, and perhaps never again will be.

If Rossetti will only work, you will form a trio which will play a great part in English art, in spite of Egg's predictions. I mean to be much more careful in future, and try next time to satisfy myself.

John Ruskin

I wish I had seen you to-night, for I am full of your picture, and should like to shake you by the hand. I have had serious thoughts of joining sic P.

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I wish you all the success you deserve. The only possible method of fulfilling the Pre-Raphaelite ideal would be to set a petrified Cyclops to paint his petrified brother A picture is worth nothing, you say, unless you copy Nature. But you can't copy her. She is ten times more gorgeous than any man can dare represent her. Apropos of these young men, you must be strangely puzzled to know what to think of them if you see many of the English papers on the present exhibition.

For the amount of abuse that has been lavished on them has been such as to impart dignity to a name which used to be looked on more as a subject of mirth than anything else.

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You will remember that with all of us, whatever used to be thought of Rossetti's, Hunt's, and Millais' talents, the words Pre-Raphaelite Brotherhood, or the letters P. But now, I can assure you, that I pronounce the words without hesitation as an ordinary term in the everyday of art.

The term will now remain with them, and, in the course of time, gain a dignity which cannot fail to attach to whatever is connected with what they do. For my own opinion, I think Millais' pictures, as small pictures, more wonderful than any I have yet seen, and Hunt's picture is a truly noble one. This is my sincere opinion. I also know that Mulready, Maclise, and Dyce think most highly of them; so that, after these opinions, backed by old Linnell, who told Anthony that he thought them the finest pictures in the Academy, I cannot put much reliance on the invectives of Frith and such a lot.

As to newspapers, you know how much we value them, but I think I see more than usual spleen in their effusions, and I have no doubt but that Stone and Hart, and other disgusting muffs of influence, are at the bottom of it. I have just heard from Marshall that Ruskin has written a letter to the Times in defence of them. I will, however, just mention that it is classed as pre-Raphaelite, and that, considering the overbearing obloquy with which pre-Raphaelism has been assailed, it shows a high moral courage on the part of the Liverpool Academy in having resisted the popular opinion, and giving their prize on the abstract merit of Mr.